2011 Nebulas: Novels
Of the six novels nominated for the Nebula Award, I’ve managed to read four.
The two I haven’t read are Jack McDevitt’s Firebird and China Miéville’s Embassytown, largely because they weren’t available inexpensively. Firebird is the sixth volume in the Alex Benedict series; the third entry, Seeker, won the 2006 award. He’s been on the ballot four times since then; this is McDevitt’s eleventh nomination in this category. This is China Miéville’s third nomination in this category; Embassytown was also nominated for the Clarke Award and is also on the Hugo ballot, as a result of which I expect to read it later this year.
Of the four I’ve read, one, Jo Walton’s Among Others, I read a year and a half ago. I had a lot to say about it back then and I expect I will have more to say about it in the future. I’m not at all neutral about Among Others: it affected me more profoundly than any book has in years. This is the one I’m rooting for and the one I’d have voted for (it’s certainly getting my vote for the Hugo).
But that doesn’t mean I can’t say nice things about the other nominated works.
N. K. Jemisin’s first novel, The Hundred Thousand Kingdoms, was on the Nebula ballot last year. It was the first volume in the Inheritance Trilogy, a series Jemisin herself calls “her eyeroll at epic fantasy.” It does things that fantasy trilogies Do Not Do, such as first-person narrative and a new protagonist in every volume. This year, the concluding volume in the trilogy, The Kingdom of Gods, is nominated (book two, The Broken Kingdoms, having got lost in the shuffle somehow). The trilogy deals with the relationship between mortals and gods: in the first book, a mortal became a god; in this one, a god — Sieh, the trickster god of childhood — has somehow become mortal. Intrigue and scheming ensue in a ridiculously gripping and readable fashion, as they always do in Jemisin’s books. She’s achieved “buy everything she writes” status in this house; Jennifer’s hooked. (Buy The Kingdom of Gods at Amazon: trade paperback, paperback, Kindle. Author’s page.)
The other two novels on the ballot are first novels. Genevieve Valentine’s Mechanique: A Tale of the Circus Tresaulti just won the Crawford Award. It’s the story of a travelling circus in what appears to be a post-apocalyptic landscape; the difference between magic and tech is not immediately clear. The boss of the circus remakes her performers, replacing their bones with copper pipes, killing them and bringing them back as something different. This ability draws attention from a local politician. A subplot focuses on who will inherit the wings of a deceased aerialist. It’s a short book, told non-linearly and with shifting perspective and much incluing, but very masterful for a first novel. (Buy Mechanique at Amazon: trade paperback, Kindle. Author’s page.)
Finally, God’s War by Kameron Hurley, set on another planet, Umayma, where war has been so constant and unremitting that men, sent to be soldiers, are scarce, and where technology seems, um, insect-based. Bel dames act as enforcer-assassins, beheading deserters and other targets; it’s an extremely bloody society. The story mainly follows Nyx as she loses her bel dame status, becomes a bounty hunter, and takes on a job that puts her in serious peril; the plot, truth be told, is a little shaky, and doesn’t seem to cohere much in the first act. But it’s extremely original and the world-building is thoroughly brilliant. (Buy God’s War at Amazon: trade paperback, Kindle.)
For another take on the nominated novels, see Chris Barsanti’s review of the entire slate. And, if you haven’t already done so, read my reviews of the 2011 Nebula Award nominees for best short story, best novelette, and best novella.
The Nebula Awards get handed out on Saturday.


