At the final Farthing Party in the fall of 2013, Tor managing editor Patrick Nielsen Hayden read the opening from a book, the first of a four-part series, that he had just acquired. We the assembled multitudes were impressed, because it sounded fantastic, and also a bit annoyed, because we knew we’d have to wait some time before the book came out, and we wanted it now.
We don’t talk enough about authorial voice in our field. New and emerging authors are under certain pressures to conform: to achieve publishability, to get it right. It’s a process that risks filing off all the interesting bumps and edges found in an author’s writing and results in a certain sameness of tone and theme. Clarion grads with English degrees workshop the distinctiveness out of one another. One libertarian space jockey sounds more or less like any other. Epic fantasies blur together. In other words: they play it safe.