Wired UK on the controversial process of upscaling old films to 4K resolution: “Digital upscalers and the millions who’ve watched their work on YouTube say they’re making the past relatable for viewers in 2020, but for some historians of art and image-making, modernising century-old archives brings a host of problems.” The process involves machine learning and readily available algorithms that clean and stabilize old film, colourize it, and upscale it to 4K and 60 fps. It adds material that isn’t in the original, which is what these historians object to. I’d argue that these videos operate in the same space as historical fiction: they make the past feel more real to the audience, but the audience can’t always separate fact from fiction. Somehow I doubt historians want to stop novels set in the past, though. [MetaFilter]
Jonathan Crowe blogs about maps at The Map Room and writes and reviews science fiction and fantasy; his work has been published by AE, The New York Review of Science Fiction, Strange Horizons and Tor.com. He lives in Shawville, Quebec.