“The snake is as much symbol as animal, and this oversaturation of meaning prevents us from seeing the snake clearly. In reality, they are gentle, healthful to the environment, ‘more scared of you than you are of it,’ a sort of tragic hero of the ecosystem that is, when gazed upon without malice, beautiful. I might argue that the contemplation of a snake qua snake […] delivers us past, for a moment, our paralyzed understanding of things and into a configuration of mind from which we might briefly remember how much of what we know is sculpted air and rumor, and how much direct experience of an animal, of any thing, might open our eyes to new possibilities of interpretation or, better yet, to the possibility of resisting interpretation altogether. Perhaps we might let the weight of meaning slip away, revealing only coiled matter. Long and lithe, complexly imbricated, strange: Here is contact. Let it grip you. With your fingers, touch its scales.” —Paul McAdory, “How My Pet Snake Taught Me to See,” The New York Times Magazine.
Jonathan Crowe blogs about maps at The Map Room and writes and reviews science fiction and fantasy; his work has been published by AE, The New York Review of Science Fiction, Strange Horizons and Tor.com. He lives in Shawville, Quebec.