New from me on Tor.com this morning: “What Does a Fantasy Map Look Like?” This is the first of several planned pieces that will take a deep dive into the look and feel of fantasy maps: their design and aesthetic, their origins and inspirations, and where they may be going in the future. In this piece, I start by trying to describe a baseline fantasy map style—which, though it’s well recognized and often imitated, has not often been spelled out.
The Writer’s Map does two things: it collects writing about literary maps and it presents those maps pictorially. We’ve had collections of literary and fantasy maps before—for example, J. B. Post’s Atlas of Fantasy, the second edition of which came out in 1979, so we’re past due for another. We’ve had essays about literary maps, published here and there in periodicals, essay collections and online. This book gathers them both in one place, creating what is nothing less than a writer’s love letter to the map.
This is one of several reviews of new map books that I’ve done lately. On The Map Room proper, I’ve reviewed Tom Harper’s Atlas: A World of Maps at the British Library and Susan Schulten’s History of America in 100 Maps. Still to come: reviews of the latest edition of the Times Comprehensive Atlas of the World as well as Betsy Mason and Greg Miller’s All Over the Map. [Update: Those reviews have now been written; I’ve updated the links.]
It’s a busy season for reviews: map books tend to come out in the fall, in advance of the Christmas season, because they position themselves as gifts for map geeks. (I do an annual gift guide for that very reason.) Which makes the fall a very busy time for me: so far my accomplishments have been largely to (1) attend sf conventions, (2) rake leaves and (3) write map book reviews.