I have a new lust object: the Leica M10 Monochrom, a digital rangefinder camera with a full-frame, 40-megapixel sensor that only shoots in black and white. There are distinct advantages to going without the usual colour filters, which absorb light and reduce sharpness. This would incidentally make a hell of an astrophotography camera (high-end astroimaging shoots monochrome through specialized filters: you could do that with this but not a digital SLR). Fortunately for me, like all good lust objects this one is unattainable: it costs US$8,300, plus expect to spend as much again on lenses, because Leica.
I have a digital SLR—a five-year-old Nikon D7100—but I haven’t been using it very much over the past few years. Blame that on the iPhone, which has a camera that while nowhere near as good or as versatile as a digital SLR, is good enough in most cases, and has the advantage of always being (a) with me and (b) connected to the Internet. Which meant that I was able to get shots I’d otherwise miss, not having my camera with me, but it also meant that convenience and spontaneity often trumped image quality. The Nikon came out for deliberate acts of photography—such as last summer’s solar eclipse—which lately haven’t happened very often.
I think that might be changing. I’ve been picking up the Nikon more and more lately: to take pictures of nearby garter snakes, the trilliums growing on our property, and the birds that pay us a visit. So I’ve been blowing the dust off the photography-centred parts of my brain and getting myself back up to speed on using the big gun.