George R. R. Martin paused his journey into the sun to report that Howard Waldrop’s classic story “Night of the Cooters”—in which the Martians of H. G. Wells’s War of the Worlds invade a small town in Texas whose sheriff has a passing resemblance to Slim Pickens—is being made into a short film, with Vincent d’Onofrio directing and starring. Shot on green screen, with effects to follow during a lengthy post-production; I suspect we ought not to expect great things from this. But the fact that any Waldrop story is being filmed in any fashion—that’s noteworthy.
Category: Science Fiction & Fantasy Page 1 of 5
Those of you who’ve read this series—The Last Emperox came out this week, in case you missed it—know exactly what I’m referring to here. I mean, we could break it down by character, but really, what would be the point in that?
New from me at Tor.com this morning: “Celebrating Christopher Tolkien’s Cartographic Legacy.” It looks at the collaborative process between J. R. R. Tolkien and his son Christopher as father and son tried to make the narrative agree with the map, and vice versa; takes a deep dive into Christopher’s mapmaking technique; and tries to assess the impact of his maps on fantasy mapmaking.
This piece came from a general sense that Christopher Tolkien’s mapmaking was being overlooked in the obituaries and remembrances posted in the wake of his death last week at the age of 95. I posted briefly about it on The Map Room last Thursday, and then found myself having more to say about it. By the end of day Friday I had nearly 2,000 words’ worth of more to say. Revised it over the weekend, sent it off, and now you can read it.
Featured image: Christopher Tolkien’s map of Middle-earth from The Fellowship of the Ring (Unwin, 1954). The British Library.
Today is, I’m told, the 40th anniversary of the release of Star Trek: The Motion Picture—the first Star Trek movie, and one that suffered from a rushed production that left several things unfinished (the prints were apparently still wet when they were shipped to theatres) and from a critical response that could charitably be described as lukewarm.
(I saw it in the theatre myself, but as I was all of seven years old at the time, I hadn’t developed much of a critical sense yet.)
Forty years later, though, there seems to be some groundswell of affection for the thing, warts and all. (See Ed Power’s piece in The Independent, for example.) A few years ago I wrote a piece for my fanzine, Ecdysis, called “In Defence of Star Trek: The Motion Picture,” and I thought I was being all heterodox about it. Turns out I wasn’t alone: others have either been reassessing their initial takes on the movie or finding that their impressions weren’t in sync with conventional wisdom.
It probably doesn’t hurt that there have been a dozen Star Trek movies since then to compare it with, and against some of them The Motion Picture compares … rather favourably. It was in that context that I wrote my little essay. Which practically no one read when it first came out, so here it is again:
Earlier today we got back from Scintillation, which went well. My co-panelists loved the book I chose (Angélica Gorodischer’s Trafalgar)1 and my presentation was very well received: one attendee called it the highlight of the convention, my friends asked questions so on-point that I’ll get an article out of them, and I made Greer Gilman happy. So there’s that.
Next up this weekend is Can-Con, Ottawa’s science fiction convention; this year they’re the hosting convention for Canvention, the Canadian national sf convention, and (as a result) the (English-language) Aurora Awards. I’ll be appearing on program again, twice—which is just the right amount for me. Read on for the details:
Friday, 18 October
6:00 PM Worldbuilding: Government and Politics (Salon E). Anatoly Belilovsky (moderator), Jonathan Crowe, Millie Ho, Stephen Graham King, Nisa Malli, Leo Valiquette. “There’s a whole category of science fiction and fantasy that centers on politics (like Game of Thrones) or incorporates political maneuvering heavily (like Battlestar Galactica or Babylon 5). How do you create a believable government that isn’t too heavy on worldbuilding? How can government’s idiosyncrasies and redundancies fit in without it always being a caricature? What is there to learn from contemporary political thrillers, and how well do they match the real world?”
Saturday, 19 October
7:00 PM Criticizing Criticism (Salon D). Jonathan Crowe (moderator), Shirley Meier, Michael Skeet, Una Verdandi. “In a world of Amazon and Goodreads reviews, is there a still a need and a place for the professional critic? Have critics been failing to keep pace with new technology and changes in how writing about writing is consumed, or has the craft become lost between the academic and the popular? How can critics and book reviewers reclaim the trust and attention of readers? In a world of algorithms and ‘5 stars!’, what is it that critical writers bring to the table that can’t be crowdsourced?”
Can-Con is sold out, so if you haven’t registered yet, too bad: you can’t. Better luck next year.
This weekend I’ll be appearing at Scintillation, a small convention that takes place in Montreal over Canadian Thanksgiving weekend. Registration for the event is already closed, so if you haven’t signed up for it yet, it’s too late for you to attend. If, however, you’ll be there too, here’s my schedule:
Friday, 11 October
6:00 PM A Good Read (The Big Room). Marianne Aldrich (moderator), Jonathan Crowe, Matthew Surridge, Shaz Taslimi. Four people each choose a novel, everyone reads all of them, and then discuss them. (Show up at the panel to attend to find out which books we chose.)
Saturday, 12 October
3:15 PM The Territory Is Not the Map: Exploring the Fantasy Map Style. (The Reading Room). Jonathan Crowe. In this presentation, I identify and explore the default fantasy map style: where is it, where it comes from, where it’s going, and why we seem not to be able to talk about it. (If you’ve been reading my Tor.com articles about fantasy maps, you’ll have a pretty good idea of what I’ll be talking about. I finally finished the presentation just after noon today, which is, you know, handy.)
New from me at Tor.com this morning, the latest instalment in my series on the history and design of fantasy maps. “Where Do Fantasy Maps Come From?” looks at the influences on and origins of the fantasy map style—the existing traditions, stretching back as far back as the sixteenth century, that the fantasy map drew upon when it came into being in the early to mid-twentieth century. (Tolkien couldn’t have made it up out of whole cloth, after all.)
This is a speculative piece that draws upon a large and diverse number of sources—everything from Renaissance maps to mountain panoramas, from bird’s-eye views of cities to children’s book illustrations—to come up with … well, something interesting, at least. To do proper justice to the subject would require a Ph.D. dissertation. This is a start.