Science Fiction & Fantasy

Burning Girls and Other Stories

My review of Veronica Schanoes’s Burning Girls and Other Stories (Tor.com, 2021) is now online at Strange Horizons. “What Schanoes is doing, in other words, is practicing a realist mode of fairy-tale storytelling, one that knows what the source material is about but grounds it in times and places appropriate to its themes.” Amazon (Canada, UK) | Apple Books | Bookshop

Meanwhile, at the start of every year Strange Horizons asks its reviewers to look back at what they’ve read, watched and played over the past year. Despite having read much less in 2021 than I have in every other year over the past decade, I managed to contribute a few paragraphs, which you can read in “2021 in Review: Part One.”

‘Twitter Is the Worst Reader’

Having been on the receiving end of Twitter vitriol half a dozen times, sf writer Fonda Lee has some thoughts about being in the crosshairs of the rage machine. “Twitter removes the trust between writer and reader by flattening meaning to the single most offensive understanding and proliferating that version alone. […] For the most part, we authors write for a receptive, open-minded audience, an audience that has paid money for our work and wants to trust us. Twitter is the opposite of that, a twisted looking-glass version of reality in which the readership beyond our immediate circle is poised with hostile scrutiny.”

Soup Ads and SF

I did not know until today that German publisher Heyne once had a policy of inserting two-page adverts for Maggi soup (and presumably other products) into the text of their books, and that when Terry Pratchett found out about it he dropped them as his German publisher. It also apparently happened to Iain M. Banks—and to Duane Duane, who discovered similar soup ads in the German translations of her Star Trek Romulan novels. (This seems rather more pervasive than my my German ex-girlfriend’s soup obsession, which I found kind of endearing at the time. Then again, she was an sf reader: maybe the ads burned something deep into her psyche.)

Movie Night of the Cooters

George R. R. Martin paused his journey into the sun to report that Howard Waldrop’s classic story “Night of the Cooters”—in which the Martians of H. G. Wells’s War of the Worlds invade a small town in Texas whose sheriff has a passing resemblance to Slim Pickensis being made into a short film, with Vincent d’Onofrio directing and starring. Shot on green screen, with effects to follow during a lengthy post-production; I suspect we ought not to expect great things from this. But the fact that any Waldrop story is being filmed in any fashion—that’s noteworthy.

Rabbit Island

My third review for Strange Horizons, which looks at Elvira Navarro’s short story collection Rabbit Island (Two Lines Press, 2021) is now online. “In eleven relatively short stories—the book is only 164 pages long—Rabbit Island draws on the fantastic to offer a bleak look at contemporary Spain; its arrival in English translation comes at a point where it is unexpectedly pertinent.”

Amazon (Canada, UK) | Apple Books | Bookshop

‘Art as a Mirror, Never as a Doorway’

Lincoln Michel’s response to the Isabel Fall controversy (previously) has a sharp point about the tendency toward what he calls puritan readings of art. “Art needs criticism to thrive, and there is certainly plenty of hateful, racist, sexist, and otherwise bigoted (or just badly made) art out there quite deserving of our scorn. But there is a difference between criticism and harassment. There is a difference between attacking bigotry and in demanding that art be unambiguous is its moral messaging. There is a difference between art—beautiful, strange, complex, and messy art—and Goofus and Gallant comic strips.”

Some Weekend Reading

The rekindling of Fireside magazine (Andrew Liptak, Transfer Orbit): “Now, Fireside is looking to right the ship. After the controversy broke, Brian White, the magazine’s original founder and former Editor-in-Chief, stepped in as the publication’s Interim Editorial Director to save the publication, and is now implementing some new changes to try and steer the magazine back to sustainability.”

Queer readings of The Lord of the Rings are not accidents (Molly Ostertag, Polygon): “Revisiting the book in the last year, as someone who has been out for many years and who is deeply engaged in making and consuming queer stories, I was amazed to find a same-sex love story at the heart of the narrative.” Frodo and Sam: obvious in hindsight—and, here’s the thing, it was not necessarily not deliberate on Tolkien’s part.

How Twitter can ruin a life (Emily VanDerWerff, Vox): “In January 2020, not long after her short story ‘I Sexually Identify as an Attack Helicopter’ was published in the online science fiction magazine Clarkesworld, Fall asked her editor to take the story down, and then checked into a psychiatric ward for thoughts of self-harm and suicide.” I’m not sure Twitter is to blame here, rather than an online sf community that’s gotten comfortable with punching down for great justice. On the other hand:

Did Twitter break YA? (Nicole Brinkley, Misshelved): Young-adult writers have turned to Twitter to connect with their audience; this has not turned out well. “Relying on Twitter to shape a culture like YA publishing inevitably leads to a moment where the most vulnerable participants in that industry will break. Either they become part of the rage machine, or the rage machine turns on them.”

Why Winter Isn’t Coming (At Least Not Yet)

Last month The Ringer suggested that the proliferating projects competing for George R. R. Martin’s time might be why he’s years late in finishing The Winds of Winter. “If Martin really wants to finish Winds, why does he do so much work that doesn’t help him finish Winds—and, in fact, appears to prevent him from doing so? Let’s consider several possible explanations.” Beyond the most likely possibilities—he’s stuck, he’s lousy at saying no or at time management—is an intriguing hypothesis: he’s simply responding to economic incentives. “Martin stands to make a vast sum of money for finishing Winds, but people are already paying him handsomely not to. […] Martin’s HBO deal sure seems like a setback for Winds, but you try turning down mid-eight figures in favor of finishing something that’s already taken 10 years.”

Winnipeg’s Worldcon Bid

Yesterday a bid was launched for Winnipeg to host the 2023 Worldcon. (The website is bare bones; bid filing documents can be found in this zip file.) As a Winnipeg native I have feelings about this—particularly since I had to miss the 1994 Winnipeg Worldcon on account of moving for graduate school. If they land the bid I will, of course, be there, pandemic permitting. (It should be over by then, right?) They’re up against already-announced bids for Chengdu and Memphis, Tennessee; I suspect that Winnipeg—which I can tell you is very nice in late August—will offer an out for fans uncomfortable with travelling to either of those locations.

Driftwood

Book cover: Driftwood

My review of Marie Brennan’s Driftwood (Tachyon, Aug. 2020) is now online at Strange Horizons. “In around two hundred pages of fairly large type it has a great deal to say about memory, loss, and survivorship, and it does so on a stage that is as vast as any in epic fantasy.” Amazon (Canada, UK)

Meanwhile, Strange Horizons starts each year by asking its reviewers to look back at what they’ve read in the previous year; part one of “2020 in Review” has a couple of paragraphs from yours truly.