- Mycelium Running by Paul Stamets. Because Star Trek Discovery (which outright steals Stamets’s name for a character and uses his ideas about mycelial networks); also see Stamets’s TED talk. Also because we have multiple mushroom species growing on our property, some of which are actually edible. As I expected, a bit more woo than I’m comfortable with, but I learned a bit about mycology.
- Black Panther: A Nation Under Our Feet, Book 1 by Ta-Nehisi Coates. Graphic novel. Because of the movie, and it was available.
- The Art of Map Illustration by James Gulliver Hancock, Hennie Haworth, Stuart Hill and Sarah King. Reviewed at The Map Room.
- The Tea Master and the Detective by Aliette de Bodard. Novella set in her Xuya universe. Holmesian detective story about a disgraced teacher and a traumatized ship mind: they solve crimes. Stories like these should come in six-packs, and I’d binge-read them that way; just one is just too little and too thin.
- Gods, Monsters, and the Lucky Peach by Kelly Robson. Novella in which cyborg time travelling environmental remediators from a despoiled future travel to ancient Sumeria. You know, when you put it that way…. Review forthcoming.
- Space Opera by Catherynne M. Valente. Batshit comedy sf novel, basically Douglas Adams meets Eurovision with just the hint of a post-Brexit edge and a ton of heart. So much goddamn fun. Strongly recommended.
- The Tangled Lands by Paolo Bacigalupi and Tobias S. Buckell. Reviewed here.
- Head On by John Scalzi. Review forthcoming.
- Lock In by John Scalzi. Reread for my forthcoming review of Head On.
Tag: Aliette de Bodard
Sometimes the Law of Sequels does not apply. The House of Binding Thorns, the second book in Aliette de Bodard’s Dominion of the Fallen series, is a better book than its predecessor, The House of Shattered Wings (which I reviewed in 2015). It may simply be that book two can get down to business now that the introductions are out of the way, but the characters, setting, motivations—everything seems clearer and in sharper focus. De Bodard has found her groove.
While The House of Binding Thorns can be read on its own without too much trouble, you’d do better to begin with The House of Shattered Wings. That book introduced us to a fin-de-siècle Paris blasted into ruins by a magical war, where powerful fallen angels command rival Houses, while an Annamite (Vietnamese) dragon kingdom lay hidden under the waters of the Seine.
The focus of Shattered Wings was on House Silverspires; in The House of Binding Thorns the action moves to House Hawthorn, where the angel essence addict Madeleine, whom we first met in Shattered Wings, is now back under the control and protection of the fearsome and malevolent Asmodeus. The textbook definition of Lawful Evil, Asmodeus is by turns horrific and charismatic, a problematic but compelling figure who steals every scene he’s in. He sends Madeleine as part of an embassy to the dragon kingdom under the Seine to arrange a political marriage with one of the dragon princes. Philippe, one of the protagonists of Shattered Wings, is also back, on a quest to recover his lost Isabelle, and we’re introduced to a couple of new protagonists: a dragon, Thuan, who has infiltrated Hawthorn to investigate the source of the angel essence the addiction to which is ravaging the kingdom; and Françoise, an Annamite in a relationship with Asomdeus’s sister, Berith.
The character threads—Madeleine’s, Philippe’s, Thuan’s and Françoise’s—are woven deftly together as de Bodard spins a cunning web of addiction, deception and intrigue involving factions within the dragon kingdom and Houses out in the banlieu. Schemes within schemes abound. Interpersonal drama, at the family and political level, is something de Bodard has always excelled at.
Binding Thorns explores colonial themes even more deeply than Shattered Wings, as the pantheons of implicitly Christian fallen and Vietnamese dragon kingdoms intersect with one another. It’s also a fairly explicit allegory of the Opium Wars, and a reminder that addiction is also a tool of control, although a certain aspect of Madeleine’s addiction was unconvincing (it occurs at the end, so: spoilers). All of which makes for a setting that feels breathtakingly real (if not necessarily alive, if you take my meaning), a world that exists beyond the storytelling façades. Combined with the intriguing plot and characters, and you have a book that is very much the total package.
The House of Binding Thorns is out today from Ace in North America and from Gollancz in the U.K. on Thursday. I received an electronic review copy of this book from Berkley Publishing Group (Ace) via NetGalley.
Aliette de Bodard’s new novel The House of Shattered Wings combines several elements of her past work that made it so interesting and her career worth following.
De Bodard first came to my notice with her trilogy of Aztec murder mystery fantasy novels: Servant of the Underworld (Angry Robot, 2010), Harbinger of the Storm (Angry Robot, 2011) and Master of the House of Darts (Angry Robot, 2011), now collected in an omnibus volume, Obsidian and Blood (Angry Robot, 2012). Set in a 15th-century Tenochtitlan where the Aztec religion is real (gods interact freely with mortals, and blood sacrifices are literally required to keep the sun in the sky and ensure the survival of life on earth), the novels follow the story of Acatl, the High Priest of the Dead, as he solves murders with spells and sacrifices and does his best to stave off a Mesoamerican Ragnarök that always seems just around the corner.