Yesterday a bid was launched for Winnipeg to host the 2023 Worldcon. (The website is bare bones; bid filing documents can be found in this zip file.) As a Winnipeg native I have feelings about this—particularly since I had to miss the 1994 Winnipeg Worldcon on account of moving for graduate school. If they land the bid I will, of course, be there, pandemic permitting. (It should be over by then, right?) They’re up against already-announced bids for Chengdu and Memphis, Tennessee; I suspect that Winnipeg—which I can tell you is very nice in late August—will offer an out for fans uncomfortable with travelling to either of those locations.
Earlier today we got back from Scintillation, which went well. My co-panelists loved the book I chose (Angélica Gorodischer’s Trafalgar)1 and my presentation was very well received: one attendee called it the highlight of the convention, my friends asked questions so on-point that I’ll get an article out of them, and I made Greer Gilman happy. So there’s that.
Next up this weekend is Can-Con, Ottawa’s science fiction convention; this year they’re the hosting convention for Canvention, the Canadian national sf convention, and (as a result) the (English-language) Aurora Awards. I’ll be appearing on program again, twice—which is just the right amount for me. Read on for the details:
Friday, 18 October
6:00 PM Worldbuilding: Government and Politics (Salon E). Anatoly Belilovsky (moderator), Jonathan Crowe, Millie Ho, Stephen Graham King, Nisa Malli, Leo Valiquette. “There’s a whole category of science fiction and fantasy that centers on politics (like Game of Thrones) or incorporates political maneuvering heavily (like Battlestar Galactica or Babylon 5). How do you create a believable government that isn’t too heavy on worldbuilding? How can government’s idiosyncrasies and redundancies fit in without it always being a caricature? What is there to learn from contemporary political thrillers, and how well do they match the real world?”
Saturday, 19 October
7:00 PM Criticizing Criticism (Salon D). Jonathan Crowe (moderator), Shirley Meier, Michael Skeet, Una Verdandi. “In a world of Amazon and Goodreads reviews, is there a still a need and a place for the professional critic? Have critics been failing to keep pace with new technology and changes in how writing about writing is consumed, or has the craft become lost between the academic and the popular? How can critics and book reviewers reclaim the trust and attention of readers? In a world of algorithms and ‘5 stars!’, what is it that critical writers bring to the table that can’t be crowdsourced?”
Can-Con is sold out, so if you haven’t registered yet, too bad: you can’t. Better luck next year.
This weekend I’ll be appearing at Scintillation, a small convention that takes place in Montreal over Canadian Thanksgiving weekend. Registration for the event is already closed, so if you haven’t signed up for it yet, it’s too late for you to attend. If, however, you’ll be there too, here’s my schedule:
Friday, 11 October
6:00 PM A Good Read (The Big Room). Marianne Aldrich (moderator), Jonathan Crowe, Matthew Surridge, Shaz Taslimi. Four people each choose a novel, everyone reads all of them, and then discuss them. (Show up at the panel to attend to find out which books we chose.)
Saturday, 12 October
3:15 PM The Territory Is Not the Map: Exploring the Fantasy Map Style. (The Reading Room). Jonathan Crowe. In this presentation, I identify and explore the default fantasy map style: where is it, where it comes from, where it’s going, and why we seem not to be able to talk about it. (If you’ve been reading my Tor.com articles about fantasy maps, you’ll have a pretty good idea of what I’ll be talking about. I finally finished the presentation just after noon today, which is, you know, handy.)
This year the entirety of my science fiction convention activity takes place on two consecutive weekends in October.
First up, Scintillation, which takes place in Montreal from October 5 to 7. It’s the successor to Jo Walton’s Farthing Party. If you didn’t back the Kickstarter campaign that resurrected it, sorry: there’s no room left for last-minute attendees. But if you are going to be there, I’ll have a small role on the program on Saturday the 6th at noon, when Caroline-Isabelle Caron, Gillian Speace, Tom Womack and I will talk about the stories included in The Scintillation Collection, which was sent to Kickstarter backers at the end of last year. (Again, if you weren’t a backer, sorry.)
The following weekend I’ll be at Can-Con, which you can still register for. I’ll be around for the duration of the convention, but my panel appearances will take place on Sunday. First up at 10:00 AM: Book-Clubbing Foreign Works of SF Translated into English, with me, Costi Gurgu, Su J. Sokol and Tamara Vardomskaya. Su’s the moderator, and she’s chosen the following stories for us to discuss:
- “Taklamakan Misdelivery” by Bae Myung-hoon, translated from the Korean by Sung Ryu. Asymptote, April 2018.
- “Catching Dogs with Dogs” by Rob van Essen, translated from the Dutch by Kristen Gehrman. 2.3.74, March 2018.
- “Under the Spinodal Curve” by Hanuš Seiner, translated from the Czech by Julie Novakova. Tor.com, March 28, 2018.
- “The Mauve Planet” by Safia Ketou, translated from the French by Nadia Ghanem. ArabLit, August 13, 2018.
Now you can read them too, so you’ll know what we’re talking about.
Next, You Should Have Read This in 2018, our annual look at the notable books that have been published in the past year. I’m the moderator this time, and this time I’m joined by Kate Heartfield, Bradley Horner and Michael Johnstone. This takes place at 1:00 PM, at which point we will all be tired and incoherent, especially those of us who’ve done two conventions back-to-back, so that should make for quite the show.
It would be a pity if you missed that.
Can-Con, Ottawa’s annual speculative fiction convention, is only a couple of weeks away. This year it takes place from October 13 to 15 at the Sheraton Hotel in downtown Ottawa. Once again I’ll be taking part in programming, and, now that the draft schedule has been posted, I can tell you (with reasonable confidence) where and when you can see me
make an ass of myself offer my profound insights about the field.
On Saturday, October 14 at 2:00 PM I’ll be appearing with Claude Lalumière, Jerome Stueart and Liz Westbrook-Trenholm on the Art of the Mosaic panel in Salon C:
A mosaic story takes a series of seemingly disparate stories or vignettes and ties them together, either through theme or setting or something more. How exactly do authors construct these complex narratives and what literary effects do they achieve with this technique? Can the same be done for a short story? Which authors are the best (or worst) examples of this very distinctive literary form?
And on Sunday, October 15 at 11:00 AM, join me, Amal El-Mohtar, Peter Halasz,
Ursula Pflug and Su J. Sokol in Salon D for You Should Have Read This in 2017:
Our expert readers discuss the cutting-edge novels and short fiction in science fiction, fantasy, horror and romance that you absolutely should have read. Bring your Goodreads app or a REALLY big notebook.
Looking forward to seeing people there.
The latest science fiction convention meltdown—this time, Odyssey Con, a Wisconsin convention that bungled entirely foreseeable harassment issues—is a reminder of the outsized place conventions in general have in our field. In my view they take up too much space—too much time, money and space in our heads—leaving too little room for the literature and media these events purport to be about.
Last September, in a Patreon post about building bridges and equalizing power structures in arts communities, my friend Tim Cooper noted that the science fiction community does those sorts of things less well, partly because the work isn’t being done to the same extent, partly because it’s actively being opposed from some corners. But he had this to say about conventions:
I’m going to single out conventions as a major force of drag on the field. Maybe they were originally intended to accomplish something, but at this point they’re basically social events, places for field insiders to show up and hang out and talk shop with each other. Which every field needs, but most fields manage to tie those things in with a community-building purpose—coming together to talk about approaches to institutional problems, or for fundraisers, or just showing off all of the neat new things people are doing. In science fiction there’s a vast amount of money and volunteer time going to events which don’t accomplish anything lasting. A lot of that money is leaving the field entirely, going to airlines, hotels, and restaurants. From a nonprofit-runner’s perspective, science fiction conventions look a lot like a nonprofit that’s spending all its money throwing parties for its board members. That would be illegal for us, but it’s a bad idea for everybody.
Tim offers a useful perspective, because many people active in a community don’t have anything to compare that community to. And his point is worth thinking about: when we go to sf conventions, exactly what the hell are we doing?