Matthew Claxton sees the recent chartbusting Kickstarter by Brandon Sanderson as evidence of a disconnect between a small group of big names racking up the sales and the rest of the field, which gets critical attention but not much else. Also that Chris Anderson’s Long Tail, as applied today, is deeply broken when it comes to discoverability: “But where we were promised frictionless discovery, we got a series of loops back into the same things, over and over and over again. Rothfuss and Sanderson Jordan and G. R. R. M. and Tolkien and Lynch and Abercrombie, and you’re a couple of levels deep before you start regularly seeing names like Fonda Lee or R. F. Kuang. (And many of their recs will lead you back to guess where?).”
Some Weekend Reading
The rekindling of Fireside magazine (Andrew Liptak, Transfer Orbit): “Now, Fireside is looking to right the ship. After the controversy broke, Brian White, the magazine’s original founder and former Editor-in-Chief, stepped in as the publication’s Interim Editorial Director to save the publication, and is now implementing some new changes to try and steer the magazine back to sustainability.”
Queer readings of The Lord of the Rings are not accidents (Molly Ostertag, Polygon): “Revisiting the book in the last year, as someone who has been out for many years and who is deeply engaged in making and consuming queer stories, I was amazed to find a same-sex love story at the heart of the narrative.” Frodo and Sam: obvious in hindsight—and, here’s the thing, it was not necessarily not deliberate on Tolkien’s part.
How Twitter can ruin a life (Emily VanDerWerff, Vox): “In January 2020, not long after her short story ‘I Sexually Identify as an Attack Helicopter’ was published in the online science fiction magazine Clarkesworld, Fall asked her editor to take the story down, and then checked into a psychiatric ward for thoughts of self-harm and suicide.” I’m not sure Twitter is to blame here, rather than an online sf community that’s gotten comfortable with punching down for great justice. On the other hand:
Did Twitter break YA? (Nicole Brinkley, Misshelved): Young-adult writers have turned to Twitter to connect with their audience; this has not turned out well. “Relying on Twitter to shape a culture like YA publishing inevitably leads to a moment where the most vulnerable participants in that industry will break. Either they become part of the rage machine, or the rage machine turns on them.”
Analog and Asimov’s Go Bimonthly
Analog and Asimov’s Science Fiction are switching to a bimonthly schedule as of January 2017. The magazines currently publish 10 issues a year, with two of those issues being double issues. The amount of fiction published won’t change, but publishing it in fewer issues ought to help with costs somewhat (postage, if nothing else).
Fun fact: back in the 1980s, both magazines were tetraweeklies — publishing 13 issues a year, one every four weeks.